maevedarcy: (nabrielise)
[personal profile] maevedarcy posting in [community profile] recthething
I'm starting a Rarepair Recs series of posts (for ships with less than 250 complete works on AO3 using the otp:true filter) and I have shared two  rec lists on my journal with several works in various mediums.

Sense8
Relationship: Kala/Rajan/Wolfgang
Medium: gifsets, fanfic, podfic
Link here.

The Bastard Son and The Devil Himself
Relationship: Annalise/Gabriel/Nathan
Medium: gifsets, fanart, fanfic, fanvid
Link here.

Book review: Siblings

31 Aug 2025 13:08
rocky41_7: (Default)
[personal profile] rocky41_7 posting in [community profile] booknook
Title: Siblings
Author: Brigitte Reimann
Translator: Lucy Renner Jones
Genre: Fiction, historical fiction

This review will be briefer than I wish, because I’ve got two fingers taped up (injury) and it makes typing a pain. This morning I finished book #12 from the “Women in Translation” rec list, which was Siblings by Brigitte Reimann, translated from German by Lucy Renner Jones.

This book was published in 1963, just two years after the Berlin Wall went up, but takes place in 1960, before the Wall. It’s a book about three siblings, but really it’s a book about Germany’s future. The core of the novel is the relationship between the protagonist, Elisabeth (“Lise”) and her brother, Uli; and their views on the German state.

Lise is an adamant supporter of the German Democratic Republic (GDR; aka communist East Germany) and communism as a whole. She views it as her generation’s chance to right the injustices of a capitalistic world. Uli, on the other hand, while supportive of communism, resents the GDR for what he views as a lack of opportunity and its petty politics. At the start of the novel, Uli has decided to defect to the west, and Lise and her partner Joachim are trying to convince him to stay.

Throughout these efforts, the shadow of their eldest brother Konrad hangs over them—Konrad has already defected, years earlier, and is firmly settled in West Germany, though not without struggle.

This book is very politically philosophical. As mentioned, it’s about Uli and Lise (and Konrad), but it’s really about the future of Germany. Not yet 20 years out from the end of WWII, this is not an easy question (and there is a lot of finger-pointing to go around about who did what for the Nazis while they were in power). The book definitely leans in favor of supporting the GDR. While Uli and Konrad have their gripes about it, these are generally cast, through Lise’s viewpoint, as self-centered, or fig leaves for their real issue, which is that they cannot let go of a capitalist ownership mindset. Even where she acknowledges their complaints as valid—such as Uli’s frustration at the stunted opportunities for anyone who is not a Party member—her attitude is essentially that they need to tough it out for the sake of making the communist experiment work, or that it’s a reasonable trade off to avoid what she sees as the cruelties of capitalist West Germany.

It's the closest I’ve ever come to reading a pro-communism book (even Soviet authors I’ve read have been pretty staunchly against the Party, a la Lydia Chukovskaya’s Sofia Petrovna), which made it interesting in that respect, as well as in how it addresses the ways the split of Germany affected individual Germans and German families.

However, the prose is very “tell not show” and this, combined with the highly philosophical nature of it, kept me at arm’s length from the characters and their lives.

Nevertheless, it’s fascinating from a historical perspective.


Recent Reading: Siblings

31 Aug 2025 13:06
rocky41_7: (Default)
[personal profile] rocky41_7 posting in [community profile] books

This review will be briefer than I wish, because I’ve got two fingers taped up (injury) and it makes typing a pain. This morning I finished book #12 from the “Women in Translation” rec list, which was Siblings by Brigitte Reimann, translated from German by Lucy Renner Jones.

This book was published in 1963, just two years after the Berlin Wall went up, but takes place in 1960, before the Wall. It’s a book about three siblings, but really it’s a book about Germany’s future. The core of the novel is the relationship between the protagonist, Elisabeth (“Lise”) and her brother, Uli; and their views on the German state.

Lise is an adamant supporter of the German Democratic Republic (GDR; aka communist East Germany) and communism as a whole. She views it as her generation’s chance to right the injustices of a capitalistic world. Uli, on the other hand, while supportive of communism, resents the GDR for what he views as a lack of opportunity and its petty politics. At the start of the novel, Uli has decided to defect to the west, and Lise and her partner Joachim are trying to convince him to stay.

Throughout these efforts, the shadow of their eldest brother Konrad hangs over them—Konrad has already defected, years earlier, and is firmly settled in West Germany, though not without struggle.

This book is very politically philosophical. As mentioned, it’s about Uli and Lise (and Konrad), but it’s really about the future of Germany. Not yet 20 years out from the end of WWII, this is not an easy question (and there is a lot of finger-pointing to go around about who did what for the Nazis while they were in power). The book definitely leans in favor of supporting the GDR. While Uli and Konrad have their gripes about it, these are generally cast, through Lise’s viewpoint, as self-centered, or fig leaves for their real issue, which is that they cannot let go of a capitalist ownership mindset. Even where she acknowledges their complaints as valid—such as Uli’s frustration at the stunted opportunities for anyone who is not a Party member—her attitude is essentially that they need to tough it out for the sake of making the communist experiment work, or that it’s a reasonable trade off to avoid what she sees as the cruelties of capitalist West Germany.

It's the closest I’ve ever come to reading a pro-communism book (even Soviet authors I’ve read have been pretty staunchly against the Party, a la Lydia Chukovskaya’s Sofia Petrovna), which made it interesting in that respect, as well as in how it addresses the ways the split of Germany affected individual Germans and German families.

However, the prose is very “tell not show” and this, combined with the highly philosophical nature of it, kept me at arm’s length from the characters and their lives.

Nevertheless, it’s fascinating from a historical perspective.


[syndicated profile] gywotumblr_feed

cloakedpress:

Let’s be real: your story can have the coolest magic system, the twistiness of the plot, or the hottest vampire/detective/alien—  

but if your characters are flat?  

Nobody’s sticking around.

So let’s break down how to give your characters real presence in your story by understanding their role, their motivation, and how to make them hit harder on the page.

1. What’s Their Role in the Story?

Every character needs a *reason to exist*. Think of them like parts in a machine. What do they *do* in your narrative?

Here are a few basic types:

  • - Protagonist: The one we’re rooting for. They drive the plot forward.
  • - Antagonist: The one in their way. Doesn’t have to be evil—just opposed.
  • - Foil: Someone who reflects the main character’s traits by contrast.
  • - Mentor: Offers wisdom, often with a tragic backstory or dramatic exit.
  • - Love Interest: Romantic tension? Check. But make sure they’re *more* than just eye candy.
  • - Wildcard: Unpredictable chaos gremlin. Every story needs one.

TIP: If you can remove a character without changing the plot? You probably should.

2. What Do They Want? (AKA Motivation)

This is the *core* of your character. Motivation makes everything feel real. Ask yourself:

  • - What does this character want more than anything?
  • - Why do they want it?
  • - What are they willing to do (or give up) to get it?

Bonus points if their motivation is in conflict with someone else’s. That’s where the juicy drama lives.

Ex: “She wants to save her sister. He wants to save the world. One bomb. One choice.”  
 Now we’re COOKING.

3. How Do You Show It?

Motivation isn’t just monologues and dramatic speeches. It’s in:

  • - What they *notice* first in a room.
  • - Who they *trust* (or don’t).
  • - The mistakes they keep repeating.
  • - The lies they tell *themselves*.

A character who’s obsessed with control might organize their bag mid-crisis.  

A character desperate to be loved might make themselves useful to everyone… even villains.

4. Let Them Be Messy

Perfect characters are boring.  

Give them contradictions. Regrets. Bad coping mechanisms. Let them be *wrong*. Let them grow.

Characters who never fail or change = characters nobody relates to.

Let your soft boys punch someone. Let your bad girls cry. Let your villains have a point.

5. Ask Yourself the Hard Stuff

  • - What would break this character?
  • - What line won’t they cross?
  • - Who are they when no one’s watching?

If you can answer these? You *know* your character.

6. Level Up: Relationships Matter

Characters don’t exist in a vacuum. Use dynamics to reveal depth:

  • - A character might be brave in a fight but terrified of disappointing their mentor.
  • - A flirty rogue might go speechless around the person they actually care about.
  • - A villain’s cruelty might soften around their childhood friend.

People are different with different people. Show it.

 TL;DR:  

Great characters = clear role + deep motivation + real emotion. 

Make them want things. Make them struggle. Make them human (even if they’re a dragon princess from space).

Want help building a specific character? Drop their name + vibe in my ask box. Let’s break them open together.

[syndicated profile] 70sscifiart_feed
Three panels, all featuring figures flying over beautiful planets or landscapes. Text at the top of the poster reads "Breath in love - don't smoke cigarettes."ALT
A collage of flowers, faces, and people dressed in wacky vintage clothes. Text at the top of the poster reads "life is so beautiful - stay alive - don't smoke cigarettes"ALT
Six panels, each featuring a surreal face, often merged with flowers. Text at the top of the poster reads: "Happy people don't smoke cigarettes."ALT

Here’s a 1970 anti-smoking campaign from Peter Max.

Last chance to sign up for my art blog newsletter before my post about smoking in retro sci-fi art drops tomorrow! Check it out here

denise: Image: Me, facing away from camera, on top of the Castel Sant'Angelo in Rome (Default)
[staff profile] denise posting in [site community profile] dw_news

A reminder to everyone that starting tomorrow, we are being forced to block access to any IP address that geolocates to the state of Mississippi for legal reasons while we and Netchoice continue fighting the law in court. People whose IP addresses geolocate to Mississippi will only be able to access a page that explains the issue and lets them know that we'll be back to offer them service as soon as the legal risk to us is less existential.

The block page will include the apology but I'll repeat it here: we don't do geolocation ourselves, so we're limited to the geolocation ability of our network provider. Our anti-spam geolocation blocks have shown us that their geolocation database has a number of mistakes in it. If one of your friends who doesn't live in Mississippi gets the block message, there is nothing we can do on our end to adjust the block, because we don't control it. The only way to fix a mistaken block is to change your IP address to one that doesn't register as being in Mississippi, either by disconnecting your internet connection and reconnecting it (if you don't have a static IP address) or using a VPN.

In related news, the judge in our challenge to Tennessee's social media age verification, parental consent, and parental surveillance law (which we are also part of the fight against!) ruled last month that we had not met the threshold for a temporary injunction preventing the state from enforcing the law while the court case proceeds.

The Tennesee law is less onerous than the Mississippi law and the fines for violating it are slightly less ruinous (slightly), but it's still a risk to us. While the fight goes on, we've decided to prevent any new account signups from anyone under 18 in Tennessee to protect ourselves against risk. We do not need to block access from the whole state: this only applies to new account creation.

Because we don't do any geolocation on our users and our network provider's geolocation services only apply to blocking access to the site entirely, the way we're implementing this is a new mandatory question on the account creation form asking if you live in Tennessee. If you do, you'll be unable to register an account if you're under 18, not just the under 13 restriction mandated by COPPA. Like the restrictions on the state of Mississippi, we absolutely hate having to do this, we're sorry, and we hope we'll be able to undo it as soon as possible.

Finally, I'd like to thank every one of you who's commented with a message of support for this fight or who's bought paid time to help keep us running. The fact we're entirely user-supported and you all genuinely understand why this fight is so important for everyone is a huge part of why we can continue to do this work. I've also sent a lot of your comments to the lawyers who are fighting the actual battles in court, and they find your wholehearted support just as encouraging and motivating as I do. Thank you all once again for being the best users any social media site could ever hope for. You make me proud and even more determined to yell at state attorneys general on your behalf.

Challenge 126

31 Aug 2025 20:50
sietepecados: (Stock 13)
[personal profile] sietepecados posting in [community profile] stocklove_ic

 

[personal profile] aurora_amethyst | chicachellers | cozycaffe | [community profile] insomniatic
 
Show us what you did this Summer - did you visit new places, eat or drink some great stuff, maybe you took a readtrip, show us all your favorites! Also, welcome back!




★ You can make up to 5 icons
Icons are due Sunday, SEPTEMBER 14th by 9pm (GMT+2)
★ You can use any stock pictures, that were not previously edited. Here you can find some resources
★ Post your icon and the icon url in a new post to the community (you can post alternate versions of the same icon in your entry, but they won't be considered in the voting post).
★ Tag you entry with your usename (user: xxx), and challenge number (!challenge: xx)
★ Your icons must conform to DW standards (100x100, 60 KB)
★ Remember icons must be made by you, and exclusively for this challenge!
★ All effects are allowed (as long as it fits the current challenge's theme)
★ If you have any question, just ask!

Daily Check-In: Day 31

31 Aug 2025 14:48
miscellaneous_section: A knight in the middle of chanting a poem for the spell of Fear. (Default)
[personal profile] miscellaneous_section posting in [community profile] writethisfanfic
Good afternoon everyone!

It's the end of August, and September is just right around the corner to start fresh.

And so, have you written anything today?
  • Yes
  • No
  • I've thought about it here and there.
  • I'm taking a break.
  • I'm too busy right now to write.

Challenge 125: Voting

31 Aug 2025 20:35
sietepecados: (Stock 14)
[personal profile] sietepecados posting in [community profile] stocklove_ic
Voting for Challenge 125 - Symbolic
Thanks so much to everyone who entered!

I C O N S )


- vote for your Top Three in order, voting is weighted (3, 2, 1).
- choose 1 icon per special category

- do not vote for yourself or encourage others to vote you
- use this form, filling it out in the comments



Voting ends Friday.

Challenge 124: Winners

31 Aug 2025 20:10
sietepecados: (Stock 5)
[personal profile] sietepecados posting in [community profile] stocklove_ic

1st Place | 2nd Place tie | 3rd Place

[personal profile] narnialover7 [personal profile] chocolatefrogs [personal profile] narnialover7 [personal profile] narnialover7

Best Color | Best Crop | Mod's Choice

[personal profile] narnialover7 [personal profile] narnialover7 [personal profile] magicrubbish

Congratulations to all winners!
Also thank you for beautifull icons and voting!
[syndicated profile] medievalists_rss_feed

Posted by Medievalists.net

David Bachrach on why holding a benefice did not make someone a vassal in the Middle Ages, challenging long-held assumptions about feudalism and medieval society.
kingstoken: (Poison Ivy)
[personal profile] kingstoken posting in [community profile] iconcolors
Batman: The Animated Series x 3
Links )

Weekly Reminder

31 Aug 2025 19:01
itsanonyx: ({stargate} vala - savvy?)
[personal profile] itsanonyx posting in [community profile] your_favourites


Challenge #222 - B/W with Negative Space [Special Challenge]

Challenge #221 Voting

[September 14th 2025 (4pm Central European Time)]

-

[HELP NEEDED] Special Challenge

[syndicated profile] dailybunny_feed

Posted by Daily Bunny

Happy Bunday! Thanks, Brendan and bunny Finn! Brendan writes, “This is Finn, our beautiful lop who passed in the spring. He was always a special needs bun who did his own thing (hard no to petting, brushing and every kind of hay). However, in the past year he did present himself for ‘foot rubs’, making a lasting connection.”

flareonfury: (Bucky Barnes)
[personal profile] flareonfury posting in [site community profile] dw_community_promo
 mcu100
[community profile] mcu100 is a weekly drabble challenge for the Marvel Cinematic Universe!

o1. Join the community & you can JOIN AT ANYTIME!!
o2. Read the rules/FAQ. THIS IS VERY IMPORTANT.
o3. Once you're a member and have read the rules, be prepared to join a team.
o4. Start writing once the prompt is posted! & Earn points for your team to win!
o5. If your team wins, you get a badge!

This first prompt will last two weeks, from August 16th to 30.

more voters needed

30 Aug 2025 17:16
luminousdaze: Molang the Bunny (kawaii)
[personal profile] luminousdaze posting in [community profile] iconthat
Hi, just a reminder that this is the last day to vote in Challenge 196: Rainbow Pass-It-On 3 - Voting.
There are almost 100 great icons to choose from and as of now some colors are tied and a few are very close, so more voters would be great!
Thanks in advance. 
[syndicated profile] gywotumblr_feed

insipid-drivel:

I’m going to go ahead and preface this with: I comment pretty regularly on clips and photos featuring horses and horseback riding, often answering questions or providing explanations for how or why certain things are done. I was a stable hand and barrel racer growing up, and during my 11 year tenure on tumblr, Professional Horse Commentary is a very niche, yet very necessary, subject that needs filling. Here are some of the literary and creative gaps I’ve noticed in well meaning (and very good!) creators trying to portray horses and riding realistically that… well, most of you don’t seem to even be aware of, because you wouldn’t know unless you worked with horses directly!

Some Of The Most Common Horse + Riding Mistakes I See:

-Anybody can ride any horse if you hold on tight enough/have ridden once before.

Nope. No, no, no, no, aaaaaaaand, no. Horseback riding has, historically, been treated as a life skill taught from surprisingly young ages. It wasn’t unusual in the pre-vehicular eras to start teaching children as young as 4 to begin to ride, because horses don’t come with airbags, and every horse is different. For most adults, it can take months or years of regular lessons to learn to ride well in the saddle, and that’s just riding; not working or practicing a sport.

Furthermore, horses often reject riders they don’t know. Unless a horse has been trained like a teaching horse, which is taught to tolerate riders of all skill and experience levels, it will take extreme issue with having some random person try to climb on their back. Royalty, nobility, and the knighted classes are commonly associated with the “having a favorite special horse” trope, because it’s true! Just like you can have a particularly special bond with a pet or service animal that verges on parental, the same can apply with horses. Happy horses love their owners/riders, and will straight-up do their best to murder anyone that tries to ride them without permission.

-Horses are stupid/have no personality.

There isn’t a more dangerous assumption to make than assuming a horse is stupid. Every horse has a unique personality, with traits that can be consistent between breeds (again, like cat and dog breeds often have distinct behavior traits associated with them), but those traits manifest differently from animal to animal.

My mother had an Arabian horse, Zipper, that hated being kicked as a signal to gallop. One day, her mom and stepdad had a particularly unpleasant visitor; an older gentleman that insisted on riding Zipper, but refused to listen to my mother’s warnings never to kick him. “Kicking” constitutes hitting the horse’s side(s) with your heels, whether you have spurs on or not. Most horses only need a gentle squeeze to know what you want them to do.

Anyway, Zipper made eye-contact with my mom, asking for permission. He understood what she meant when she nodded at him. He proceeded to give this asshole of a rider road rash on the side of the paddock fence and sent him to the emergency room. He wouldn’t have done it if he didn’t have the permission from the rider he respected, and was intelligent enough to ask, “mind if I teach this guy a lesson?” with his eyes, and understand, “Go for it, buddy,” from my mom in return.

-Riding bareback is possible to do if you hold onto the horse’s mane really tight.

Riding a horse bareback (with no saddle, stirrups, or traditional harness around the horse’s head) is unbelievably difficult to learn, particularly have testicles and value keeping them. Even professional riders and equestrians find ourselves relying on tack (the stuff you put on a horse to ride it) to stay stable on our horses, even if we’ve been riding that particular horse for years and have a very positive, trusting relationship.

Horses sweat like people do. The more they run, the more their hair saturates with sweat and makes staying seated on them slippery. Hell, an overworked horse can sweat so heavily that the saddle slips off its back. It’s also essential to brush and bathe a horse before it’s ridden in order to keep it healthier, so their hair is often quite slick from either being very clean or very damp. In order to ride like that, you have to develop the ability to synchronize your entire body’s rhythm’s with the rhythm of the horse’s body beneath you, and quite literally move as one. Without stirrups, most people can’t do it, and some people can never master bareback riding no matter how many years they spend trying to learn.

-You can be distracted and make casual conversation while a horse is standing untethered in the middle of a barn or field.

At every barn I’ve ever worked at, it’s been standard practice with every single horse, regardless of age or temperament, to secure their heads while they’re being tacked up or tacked down. The secures for doing this are simple ropes with clips that are designed to attach to the horse’s halter (the headwear for a horse that isn’t being ridden; they have no bit that goes in the horse’s mouth, and no reins for a rider to hold) on metal O rings on either side of the horse’s head. This is not distressing to the horse, because we give them plenty of slack to turn their heads and look around comfortably.

The problem with trying to tack up an unrestrained horse while chatting with fellow stable hands or riders is that horses know when you’re distracted! And they often try to get away with stuff when they know you’re not looking! In a barn, a horse often knows where the food is stored, and will often try to tiptoe off to sneak into the feed room.

Horses that get into the feed room are often at a high risk of dying. While extremely intelligent, they don’t have the ability to throw up, and they don’t have the ability to tell that their stomach is full and should stop eating. Allowing a horse into a feed/grain room WILL allow it to eat itself to death.

Other common woes stable hands and riders deal with when trying to handle a horse with an unrestrained head is getting bitten! Horses express affection between members of their own herd, and those they consider friends and family, through nibbling and surprisingly rough biting. It’s not called “horseplay” for nothing, because during my years working with horses out in the pasture, it wasn’t uncommon at all for me to find individuals with bloody bite marks on their withers (that high part on the middle of the back of their shoulders most people instinctively reach for when they try to get up), and on their backsides. I’ve been love-bitten by horses before, and while flattering, they hurt like hell on fleshy human skin.

So, for the safety of the horse, and everybody else, always make a show of somehow controlling the animal’s head when hands-on and on the ground with them.

-Big Horse = War Horse

Startlingly, the opposite is usually the case! Draft and carriage horses, like Percherons and Friesians, were never meant to be used in warfare. Draft horses are usually bred to be extremely even-tempered, hard to spook, and trustworthy around small children and animals. Historically, they’re the tractors of the farm if you could afford to upgrade from oxen, and were never built to be fast or agile in a battlefield situation.

More importantly, just because a horse is imposing and huge doesn’t make it a good candidate for carrying heavy weights. A real thing that I had to be part of enforcing when I worked at a teaching ranch was a weight limit. Yeah, it felt shitty to tell people they couldn’t ride because we didn’t have any horses strong enough to carry them due to their weight, but it’s a matter of the animal’s safety. A big/tall/chonky horse is more likely to be built to pull heavy loads, but not carry them flat on their spines. Horses’ muscular power is predominantly in their ability to run and pull things, and too heavy a rider can literally break a horse’s spine and force us to euthanize it.

Some of the best war horses out there are from the “hot blood” family. Hot blooded horses are often from dry, hot, arid climates, are very small and slight (such as Arabian horses), and are notoriously fickle and flighty. They’re also a lot more likely to paw/bite/kick when spooked, and have even sometimes been historically trained to fight alongside their rider if their rider is dismounted in combat; kicking and rearing to keep other soldiers at a distance.

-Any horse can be ridden if it likes you enough.

Just like it can take a lifetime to learn to ride easily, it can take a lifetime of training for a horse to comfortably take to being ridden or taking part in a job, like pulling a carriage. Much like service animals, horses are typically trained from extremely young ages to be reared into the job that’s given to them, and an adult horse with no experience carrying a rider is going to be just as scared as a rider who’s never actually ridden a horse.

Just as well, the process of tacking up a horse isn’t always the most comfortable experience for the horse. To keep the saddle centered on the horse’s back when moving at rough or fast paces, it’s essential to tighten the belly strap (cinch) of the saddle as tightly as possible around the horse’s belly. For the horse, it’s like wearing a tight corset, chafes, and even leaves indents in their skin afterward that they love having rinsed with water and scratched. Some horses will learn to inflate their bellies while you’re tightening the cinch so you can’t get it as tight as it needs to be, and then exhale when they think you’re done tightening it.

When you’re working with a horse wearing a bridle, especially one with a bit, it can be a shocking sensory experience to a horse that’s never used a bit before. While they lack a set of teeth naturally, so the bit doesn’t actually hurt them, imagine having a metal rod shoved in your mouth horizontally! Unless you understand why it’s important for the person you care about not dying, you’d be pretty pissed about having to keep it in there!

-Horseback riding isn’t exercise.

If you’re not using every muscle in your body to ride with, you’re not doing it right.

Riding requires every ounce of muscle control you have in your entire body - although this doesn’t mean it wasn’t realistic for people with fat bodies to stay their weight while also being avid riders; it doesn’t mean the muscles aren’t there. To stay on the horse, you need to learn how it feels when it moves at different gaits (walk, trot, canter, gallop), how to instruct it to switch leads (dominant legs; essential for precise turning and ease of communication between you and the horse), and not falling off. While good riders look like they’re barely moving at all, that’s only because they’re good riders. They know how to move so seamlessly with the horse, feeling their movements like their own, that they can compensate with their legs and waists to not bounce out of the saddle altogether or slide off to one side. I guarantee if you ride a horse longer than 30 minutes for the first time, your legs alone will barely work and feel like rubber.

-Horses aren’t affectionate.

Horses are extraordinarily affectionate toward the right people. As prey animals, they’re usually wary of people they don’t know, or have only recently met. They also - again, like service animals - have a “work mode” and a “casual mode” depending upon what they’re doing at the time. Horses will give kisses like puppies, wiggle their upper lips on your hair/arms to groom you, lean into neck-hugs, and even cuddle in their pasture or stall if it’s time to nap and you join them by leaning against their sides. If they see you coming up from afar and are excited to see you, they’ll whinny and squeal while galloping to meet you at the gate. They’ll deliberately swat you with their tails to tease you, and will often follow you around the pasture if they’re allowed to regardless of what you’re up to.

-Riding crops are cruel.

Only cruel people use riding crops to hurt their horses. Spurs? I personally object to, because any horse that knows you well doesn’t need something sharp jabbing them in the side for emphasis when you’re trying to tell them where you want them to go. Crops? Are genuinely harmless tools used for signalling a horse.

I mean, think about it. Why would crops be inherently cruel instruments if you need to trust a horse not to be afraid of you and throw you off when you’re riding it?

Crops are best used just to lightly tap on the left or right flank of the horse, and aren’t universally used with all forms of riding. You’ll mainly see crops used with English riding, and they’re just tools for communicating with the horse without needing to speak.

-There’s only one way to ride a horse.

Not. At. All. At most teaching ranches, you’ll get two options: Western, or English, because they tend to be the most popular for shows and also the most common to find equipment for. English riding uses a thinner, smaller saddle, narrower stirrups, and much thinner bridles. I, personally, didn’t like English style riding because I never felt very stable in such a thin saddle with such small stirrups, and didn’t start learning until my mid teens. English style riding tends to focus more on your posture and deportment in the saddle, and your ability to show off your stability and apparent immovability on the horse. It was generally just a bit too stiff and formal for me.

Western style riding utilizes heavier bridles, bigger saddles (with the iconic horn on the front), and broader stirrups. Like its name may suggest, Western riding is more about figuring out how to be steady in the saddle while going fast and being mobile with your upper body. Western style riding is generally the style preferred for working-type shows, such as horseback archery, gunning, barrel racing, and even rodeo riding.

-Wealthy horse owners have no relationship with their horses.

This is loosely untrue, but I’ve seen cases where it is. Basically, horses need to feel like they’re working for someone that matters to them in order to behave well with a rider and not get impatient or bored. While it’s common for people to board horses at off-property ranches (boarding ranches) for cost and space purposes, it’s been historically the truth that having help is usually necessary with horses at some point. What matters is who spends the most time with the animal treating it like a living being, rather than a mode of transport or a tool. There’s no harm in stable hands handling the daily upkeep; hay bales and water buckets are heavy, and we’re there to profit off the labor you don’t want or have the time to do. You get up early to go to work; we get up early to look after your horses. Good owners/boarders visit often and spend as much of their spare time as they can with spending quality work and playtime with their horses. Otherwise, the horses look to the stable hands for emotional support and care.

So, maybe you’re writing a knight that doesn’t really care much for looking after his horse, but his squire is really dedicated to keeping up with it? There’s a better chance of the horse having a more affectionate relationship with the squire thanks to the time the squire spends on looking after it, while the horse is more likely to tolerate the knight that owns it as being a source of discipline if it misbehaves. That doesn’t mean the knight is its favorite person. When it comes to horses, their love must be earned, and you can only earn it by spending time with them hands-on.

-Horses can graze anywhere without concern.

This is a mistake that results in a lot of premature deaths! A big part of the cost of owning a horse - even before you buy one - is having the property that will be its pasture assessed for poisonous plants, and having those plants removed from being within the animal’s reach. This is an essential part of farm upkeep every year, because horses really can’t tell what’s toxic and what isn’t. One of the reasons it’s essential to secure a horse when you aren’t riding it is to ensure it only has a very limited range to graze on, and it’s your responsibility as the owner/rider to know how to identify dangerous plants and keep your horses away from them.

There’s probably more. AMA in my askbox if you have any questions, but that’s all for now. Happy writing.