70s Sci-Fi Art ([syndicated profile] 70sscifiart_feed) wrote2025-08-31 11:54 pm

A wizard examines a windmill, but the closer one looks the more the implications of the scene change

oldschoolfrp:

A wizard examines a windmill, but the closer one looks the more the implications of the scene change – The windmill has butterfly or faerie wings but the structure is made of rusty steel, and the wizard may be wearing a motorcycle helmet. Many fantasy settings are built upon the postapocalyptic ruins of a previous civilization, whether the ancient catastrophe was magical or high tech. (Pete Knifton cover art for Imagine magazine 11, TSR UK, February 1984)

chocolatefrogs: (5 © Fawns)
Chocolate Frogs ([personal profile] chocolatefrogs) wrote in [community profile] fandom_icons2025-08-31 10:59 pm
chocolatefrogs: (1 © Setsuntamew @ Vogliaa)
Chocolate Frogs ([personal profile] chocolatefrogs) wrote in [community profile] icons2025-08-31 10:56 pm
kareila: Millie stands next to a globe wearing an "I'm With Stupid" shirt. (stupidworld)
kareila ([personal profile] kareila) wrote in [community profile] changelog_digest2025-08-31 10:28 pm
Entry tags:

Changelog Digest for Sun, Aug 31

[dreamwidth]

02dc705: Commit 02dc705: Fixes, thanks AI
Removes a stray automatically generated code comment.
62af744: Commit 62af744: Fix locale errors
Some locale-related config tweaks for the Github Codespace feature.
d08023a: Commit d08023a: Checkpoint for devcontainer
Further progress: use memcached, speed up update-db.pl.
a49617f: Commit a49617f: Devcontainer works?!
Uses Apache and seems to work as expected; requires Ruby 3.1 which is only in 22.04.
d8273ca: Issue #3495: Add TN state age logic
Ask new users if they're in Tennessee and explain why they have to be 18 or older if so.
chocolatefrogs: (14 © Colls)
Chocolate Frogs ([personal profile] chocolatefrogs) wrote in [community profile] stocklove_ic2025-08-31 07:42 pm

Challenge 126: Summer

While I hate summer, I did do stuff. Universal Studios Hollywood each month, started a complete Star Trek binge, we lived at the movie theater this summer, and finally Las Vegas for Star Trek Las Vegas to end the Summer (thankfully!). Bring on my Fall! :)




URLS )
fic_in_a_box_mod: (Default)
fic_in_a_box_mod ([personal profile] fic_in_a_box_mod) wrote in [community profile] ficinabox2025-08-31 11:00 pm
Entry tags:

Sign ups closed! Check your email!

Signups have closed! There are two unmatchables! Please check your email if your AO3 name starts with G or M!

There are three people who are not open to extra gifts, if your name starts with E, G, or I please check your email!

We will be checking requests over the next day or two, so please keep an eye on your emails in case we find any issues we need to contact you about.

mark: A photo of Mark kneeling on top of the Taal Volcano in the Philippines. It was a long hike. (Default)
Mark Smith ([staff profile] mark) wrote in [site community profile] dw_maintenance2025-08-31 07:37 pm

Code deploy happening shortly

Per the [site community profile] dw_news post regarding the MS/TN blocks, we are doing a small code push shortly in order to get the code live. As per usual, please let us know if you see anything wonky.

There is some code cleanup we've been doing that is going out with this push but I don't think there is any new/reworked functionality, so it should be pretty invisible if all goes well.

70s Sci-Fi Art ([syndicated profile] 70sscifiart_feed) wrote2025-08-31 05:02 pm

humanoidhistory: Future lunar geologists oversee a controlled...



humanoidhistory:

Future lunar geologists oversee a controlled explosion on the Moon in Soviet space art by Andrei Sokolov and cosmonaut Alexei Leonov, printed 1985.

Get Your Words Out ([syndicated profile] gywotumblr_feed) wrote2025-08-31 06:00 pm

natgeofound:Women sit in a modern chic boutique in Casablanca,...



natgeofound:

Women sit in a modern chic boutique in Casablanca, 1971.Photograph by Thomas J. Abercrombie, National Geographic Creative

grundyscribbling: white stars on a light blue background (stars)
grundyscribbling ([personal profile] grundyscribbling) wrote in [community profile] innumerable_stars2025-08-31 07:12 pm
Entry tags:

Assignments are out!

Assignments are out! Check your inbox or your AO3 dash.

We hope you're as excited as we are - you have once again wowed us with the tagset, and there are some fabulous prompts. Go forth and create!

Anyone who has a placeholder Dear Creator letter - please make sure it is finished and available by Thursday, sooner if you can manage it. (The first thing most creators do is look at that letter - if you don’t have it done now, get it done ASAP!)

Minimum requirement is 500 words (authors) or a nice sketch on clean, unlined paper or the equivalent in your medium (artists).

If it looks like you will be unable to complete your assignment for some reason, please default as soon as you are sure and let the mods know! This allows us as much time as possible to arrange a pinch hit. There is no penalty for defaulting before the due date.

Any pinch hits will be posted here as soon as we know about them.

Treats - meaning extra gifts - are always welcome, and anyone can create them, signed up or not. If you see a prompt you love and would like to create something for it, go for it! (Treats are not subject to the minimum requirements and have no deadline.) If you think you might like to treat, you can find all the requests in the Requests Summary, and the collection is here.


Medievalists.net ([syndicated profile] medievalists_rss_feed) wrote2025-08-31 10:40 pm

Trees in the Middle Ages: The Good and The Bad

Posted by Medievalists.net

Explore the symbolic world of medieval trees—sacred lindens, deadly yews, and feared walnuts—in faith, folklore, and daily life
maevedarcy: (nabrielise)
maevedarcy ([personal profile] maevedarcy) wrote in [community profile] recthething2025-08-31 04:24 pm

Sense8, The Bastard Son and The Devil Himself

I'm starting a Rarepair Recs series of posts (for ships with less than 250 complete works on AO3 using the otp:true filter) and I have shared two  rec lists on my journal with several works in various mediums.

Sense8
Relationship: Kala/Rajan/Wolfgang
Medium: gifsets, fanfic, podfic
Link here.

The Bastard Son and The Devil Himself
Relationship: Annalise/Gabriel/Nathan
Medium: gifsets, fanart, fanfic, fanvid
Link here.
rocky41_7: (Default)
rocky41_7 ([personal profile] rocky41_7) wrote in [community profile] booknook2025-08-31 01:08 pm

Book review: Siblings

Title: Siblings
Author: Brigitte Reimann
Translator: Lucy Renner Jones
Genre: Fiction, historical fiction

This review will be briefer than I wish, because I’ve got two fingers taped up (injury) and it makes typing a pain. This morning I finished book #12 from the “Women in Translation” rec list, which was Siblings by Brigitte Reimann, translated from German by Lucy Renner Jones.

This book was published in 1963, just two years after the Berlin Wall went up, but takes place in 1960, before the Wall. It’s a book about three siblings, but really it’s a book about Germany’s future. The core of the novel is the relationship between the protagonist, Elisabeth (“Lise”) and her brother, Uli; and their views on the German state.

Lise is an adamant supporter of the German Democratic Republic (GDR; aka communist East Germany) and communism as a whole. She views it as her generation’s chance to right the injustices of a capitalistic world. Uli, on the other hand, while supportive of communism, resents the GDR for what he views as a lack of opportunity and its petty politics. At the start of the novel, Uli has decided to defect to the west, and Lise and her partner Joachim are trying to convince him to stay.

Throughout these efforts, the shadow of their eldest brother Konrad hangs over them—Konrad has already defected, years earlier, and is firmly settled in West Germany, though not without struggle.

This book is very politically philosophical. As mentioned, it’s about Uli and Lise (and Konrad), but it’s really about the future of Germany. Not yet 20 years out from the end of WWII, this is not an easy question (and there is a lot of finger-pointing to go around about who did what for the Nazis while they were in power). The book definitely leans in favor of supporting the GDR. While Uli and Konrad have their gripes about it, these are generally cast, through Lise’s viewpoint, as self-centered, or fig leaves for their real issue, which is that they cannot let go of a capitalist ownership mindset. Even where she acknowledges their complaints as valid—such as Uli’s frustration at the stunted opportunities for anyone who is not a Party member—her attitude is essentially that they need to tough it out for the sake of making the communist experiment work, or that it’s a reasonable trade off to avoid what she sees as the cruelties of capitalist West Germany.

It's the closest I’ve ever come to reading a pro-communism book (even Soviet authors I’ve read have been pretty staunchly against the Party, a la Lydia Chukovskaya’s Sofia Petrovna), which made it interesting in that respect, as well as in how it addresses the ways the split of Germany affected individual Germans and German families.

However, the prose is very “tell not show” and this, combined with the highly philosophical nature of it, kept me at arm’s length from the characters and their lives.

Nevertheless, it’s fascinating from a historical perspective.


rocky41_7: (Default)
rocky41_7 ([personal profile] rocky41_7) wrote in [community profile] books2025-08-31 01:06 pm
Entry tags:

Recent Reading: Siblings

This review will be briefer than I wish, because I’ve got two fingers taped up (injury) and it makes typing a pain. This morning I finished book #12 from the “Women in Translation” rec list, which was Siblings by Brigitte Reimann, translated from German by Lucy Renner Jones.

This book was published in 1963, just two years after the Berlin Wall went up, but takes place in 1960, before the Wall. It’s a book about three siblings, but really it’s a book about Germany’s future. The core of the novel is the relationship between the protagonist, Elisabeth (“Lise”) and her brother, Uli; and their views on the German state.

Lise is an adamant supporter of the German Democratic Republic (GDR; aka communist East Germany) and communism as a whole. She views it as her generation’s chance to right the injustices of a capitalistic world. Uli, on the other hand, while supportive of communism, resents the GDR for what he views as a lack of opportunity and its petty politics. At the start of the novel, Uli has decided to defect to the west, and Lise and her partner Joachim are trying to convince him to stay.

Throughout these efforts, the shadow of their eldest brother Konrad hangs over them—Konrad has already defected, years earlier, and is firmly settled in West Germany, though not without struggle.

This book is very politically philosophical. As mentioned, it’s about Uli and Lise (and Konrad), but it’s really about the future of Germany. Not yet 20 years out from the end of WWII, this is not an easy question (and there is a lot of finger-pointing to go around about who did what for the Nazis while they were in power). The book definitely leans in favor of supporting the GDR. While Uli and Konrad have their gripes about it, these are generally cast, through Lise’s viewpoint, as self-centered, or fig leaves for their real issue, which is that they cannot let go of a capitalist ownership mindset. Even where she acknowledges their complaints as valid—such as Uli’s frustration at the stunted opportunities for anyone who is not a Party member—her attitude is essentially that they need to tough it out for the sake of making the communist experiment work, or that it’s a reasonable trade off to avoid what she sees as the cruelties of capitalist West Germany.

It's the closest I’ve ever come to reading a pro-communism book (even Soviet authors I’ve read have been pretty staunchly against the Party, a la Lydia Chukovskaya’s Sofia Petrovna), which made it interesting in that respect, as well as in how it addresses the ways the split of Germany affected individual Germans and German families.

However, the prose is very “tell not show” and this, combined with the highly philosophical nature of it, kept me at arm’s length from the characters and their lives.

Nevertheless, it’s fascinating from a historical perspective.


Get Your Words Out ([syndicated profile] gywotumblr_feed) wrote2025-08-31 02:00 pm

How to Write Better Characters: Roles, Motivation & Actually Making People Care

cloakedpress:

Let’s be real: your story can have the coolest magic system, the twistiness of the plot, or the hottest vampire/detective/alien—  

but if your characters are flat?  

Nobody’s sticking around.

So let’s break down how to give your characters real presence in your story by understanding their role, their motivation, and how to make them hit harder on the page.

1. What’s Their Role in the Story?

Every character needs a *reason to exist*. Think of them like parts in a machine. What do they *do* in your narrative?

Here are a few basic types:

  • - Protagonist: The one we’re rooting for. They drive the plot forward.
  • - Antagonist: The one in their way. Doesn’t have to be evil—just opposed.
  • - Foil: Someone who reflects the main character’s traits by contrast.
  • - Mentor: Offers wisdom, often with a tragic backstory or dramatic exit.
  • - Love Interest: Romantic tension? Check. But make sure they’re *more* than just eye candy.
  • - Wildcard: Unpredictable chaos gremlin. Every story needs one.

TIP: If you can remove a character without changing the plot? You probably should.

2. What Do They Want? (AKA Motivation)

This is the *core* of your character. Motivation makes everything feel real. Ask yourself:

  • - What does this character want more than anything?
  • - Why do they want it?
  • - What are they willing to do (or give up) to get it?

Bonus points if their motivation is in conflict with someone else’s. That’s where the juicy drama lives.

Ex: “She wants to save her sister. He wants to save the world. One bomb. One choice.”  
 Now we’re COOKING.

3. How Do You Show It?

Motivation isn’t just monologues and dramatic speeches. It’s in:

  • - What they *notice* first in a room.
  • - Who they *trust* (or don’t).
  • - The mistakes they keep repeating.
  • - The lies they tell *themselves*.

A character who’s obsessed with control might organize their bag mid-crisis.  

A character desperate to be loved might make themselves useful to everyone… even villains.

4. Let Them Be Messy

Perfect characters are boring.  

Give them contradictions. Regrets. Bad coping mechanisms. Let them be *wrong*. Let them grow.

Characters who never fail or change = characters nobody relates to.

Let your soft boys punch someone. Let your bad girls cry. Let your villains have a point.

5. Ask Yourself the Hard Stuff

  • - What would break this character?
  • - What line won’t they cross?
  • - Who are they when no one’s watching?

If you can answer these? You *know* your character.

6. Level Up: Relationships Matter

Characters don’t exist in a vacuum. Use dynamics to reveal depth:

  • - A character might be brave in a fight but terrified of disappointing their mentor.
  • - A flirty rogue might go speechless around the person they actually care about.
  • - A villain’s cruelty might soften around their childhood friend.

People are different with different people. Show it.

 TL;DR:  

Great characters = clear role + deep motivation + real emotion. 

Make them want things. Make them struggle. Make them human (even if they’re a dragon princess from space).

Want help building a specific character? Drop their name + vibe in my ask box. Let’s break them open together.

70s Sci-Fi Art ([syndicated profile] 70sscifiart_feed) wrote2025-08-31 12:00 pm

Here’s a 1970 anti-smoking campaign from Peter Max.

Three panels, all featuring figures flying over beautiful planets or landscapes. Text at the top of the poster reads "Breath in love - don't smoke cigarettes."ALT
A collage of flowers, faces, and people dressed in wacky vintage clothes. Text at the top of the poster reads "life is so beautiful - stay alive - don't smoke cigarettes"ALT
Six panels, each featuring a surreal face, often merged with flowers. Text at the top of the poster reads: "Happy people don't smoke cigarettes."ALT

Here’s a 1970 anti-smoking campaign from Peter Max.

Last chance to sign up for my art blog newsletter before my post about smoking in retro sci-fi art drops tomorrow! Check it out here

denise: Image: Me, facing away from camera, on top of the Castel Sant'Angelo in Rome (Default)
Denise ([staff profile] denise) wrote in [site community profile] dw_news2025-08-31 12:28 pm

Mississippi site block, plus a small restriction on Tennessee new accounts

A reminder to everyone that starting tomorrow, we are being forced to block access to any IP address that geolocates to the state of Mississippi for legal reasons while we and Netchoice continue fighting the law in court. People whose IP addresses geolocate to Mississippi will only be able to access a page that explains the issue and lets them know that we'll be back to offer them service as soon as the legal risk to us is less existential.

The block page will include the apology but I'll repeat it here: we don't do geolocation ourselves, so we're limited to the geolocation ability of our network provider. Our anti-spam geolocation blocks have shown us that their geolocation database has a number of mistakes in it. If one of your friends who doesn't live in Mississippi gets the block message, there is nothing we can do on our end to adjust the block, because we don't control it. The only way to fix a mistaken block is to change your IP address to one that doesn't register as being in Mississippi, either by disconnecting your internet connection and reconnecting it (if you don't have a static IP address) or using a VPN.

In related news, the judge in our challenge to Tennessee's social media age verification, parental consent, and parental surveillance law (which we are also part of the fight against!) ruled last month that we had not met the threshold for a temporary injunction preventing the state from enforcing the law while the court case proceeds.

The Tennesee law is less onerous than the Mississippi law and the fines for violating it are slightly less ruinous (slightly), but it's still a risk to us. While the fight goes on, we've decided to prevent any new account signups from anyone under 18 in Tennessee to protect ourselves against risk. We do not need to block access from the whole state: this only applies to new account creation.

Because we don't do any geolocation on our users and our network provider's geolocation services only apply to blocking access to the site entirely, the way we're implementing this is a new mandatory question on the account creation form asking if you live in Tennessee. If you do, you'll be unable to register an account if you're under 18, not just the under 13 restriction mandated by COPPA. Like the restrictions on the state of Mississippi, we absolutely hate having to do this, we're sorry, and we hope we'll be able to undo it as soon as possible.

Finally, I'd like to thank every one of you who's commented with a message of support for this fight or who's bought paid time to help keep us running. The fact we're entirely user-supported and you all genuinely understand why this fight is so important for everyone is a huge part of why we can continue to do this work. I've also sent a lot of your comments to the lawyers who are fighting the actual battles in court, and they find your wholehearted support just as encouraging and motivating as I do. Thank you all once again for being the best users any social media site could ever hope for. You make me proud and even more determined to yell at state attorneys general on your behalf.